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Referencias:

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• Chaplin, T.D., Clark, R.J.H., Identification by Raman microscopy of anachronistic pigments on a purported Chagall nude: conservation consequence (2016) Appl. Phys. A, 144, pp. 122-126
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• Edwards, H.G.M., Farwell, D.W., Newton, E.M., Perez, F.R., Minium; FT-Raman non-destructive analysis applied to an historical controversy (1999) Analyst, 124, pp. 1323-1326
• Eastaugh, N., Walsh, V., Chaplin, T., Siddall, R., Pigment Compendium: A Dictionary of Historical Pigments (2004), pp. 193-194. , Elsevier Butterworth-Heinemann Oxford; Baer, N.S., Joel, A., Feller, R.L., Indictor, N., (1986) Indian Yellow in Artists Pigments: A Handbook of their History and Characteristics, 1, pp. 17-36. , R.L. Feller Oxford University Press New York
• Heaton, N., Outlines of Paint Technology (1947), p. 139. , 3rd ed. Charles Griffin and Co. London; Finlay, V., Color: A Natural History of the Palette (2007), Random House New York; Mukharji, T.N., Piuri or Indian yellow, J. Soc. Arts 32 (1883–1884) 16–17; Cornman, M., (1986) Cobalt Yellow (Aureolin) in Indian Yellow in Artists Pigments: A Handbook of Their History and Characteristics, 1, pp. 37-46. , R.L. Feller Oxford University Press New York
• Baer, N.S., Indicator, N., Joel, A., The chemistry and history of the pigment Indian yellow (1972) Conservation and the Graphic Arts, 1972 Congress of the International Institute for Conservation, Lisbon, pp. 401-408
• Harley, R.D., Artists’ Pigments: 1600–1835 (1970), pp. 116-117. , Butterworth Scientific London; Gartside, M., An Essay on Light and Shade on Colours and on Composition in General, London, Printed for the author by T. Davison and sold by T. Gardiner, 1805; Varley, J., A List of Colours, London, Printed by the author, 1816; Fielding, T.H., Index of Colours and Mixed Tints (1830), Parbury, Allen & Co. and Carpenter & Son London; Fielding, T.H., Ackermann's Manual of Colours Used in the Different Branches of Watercolour Painting (1844), Ackermann & Co. London; Halpine, S.M., An improved dye and lake pigment analysis method for high-performance liquid chromatography and diode-array detector (1996) Stud. Conserv., 41, pp. 76-94
• Neuberg, C., Neimann, W., Synthese gepaarter Glukuronsäuren (1905) Z. Physiol. Chem., 44, pp. 114-126
• Otłowska, O., Ślebioda, M., Wachowiak, M., Śliwka-Kaszyńska, M., Identification and characterization of the Indian Yellow dyestuff and its degradation products in historical oil paint tube by liquid chromatography mass spectrometry (2015) R. Soc. Chem. Adv., 5, pp. 48786-48792
• Ziegler, J.H., Locher, M., Ueber die Tartrazine, eine neue Klasse von Farbstoffen (1887) Ber. Dtsch. Chem. Ges., 83, pp. 4-40
• Sasaki, Y.F., Kawaguchi, S., Kamaya, A., Ohshita, M., Kabasawa, K., Iwama, K., Taniguchi, K., Tsuda, S., The comet assay with 8 mouse organs: results with 39 currently used food additives (2002) Mutat. Res., 519, pp. 103-119
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• Bell, I.M., Clark, R.J.H., Gibbs, P.J., Raman spectroscopic library of natural and synthetic pigments (pre-∼1850 AD) (1997) Spectrochim. Acta Part A, 53, pp. 2159-2179
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• Minceva-Sukarova, B., Tanevska, V., Grupce, O., Micro-Raman spectroscopy for analysis of medieval pigments and glazed ceramics—case studies, physical chemistry 2008 (2008) 9th International Conference on Fundamental and Applied Aspects of Physical Chemistry, Belgrade, Serbia, September, pp. 65-72
• Sodo, A., Bicchieri, M., Guiso, M., Ricci, M.A., Ricci, G., Raman investigations on mark pen inks (2012) J. Raman Spectrosc., 43, pp. 1781-1787
• Vetter, W., Schreiner, M., http://www.fch.akbild.ac.at/Forschung2010/pdfs/Poster_GOECH_2011_Vetter.pdf, Revealing the color palette of Austrian 19th Century watercolor painters—a non-destructive approach by use of complementary FTIR-, UV-VIS-NIR- and XRF-spectroscopy. (Accessed 24 February 2016)

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