Artículo
Abstract:
When dealing with contemporary art, conservators have to address not only the material aspects of the artwork but also other highly complex issues. The Argentinian artist Leon Ferrari is a representative example. He created avant-garde art installations but also worked with traditional techniques. His works raise dilemmas over concepts such as authorship, authenticity, legitimacy of art. Some of his artworks only interested him as a means to express his opinions and he was not concerned about alterations in their appearance. Therefore, what should be kept in them is not in an area of certainty for conservators. An essential key for achieving a responsible and respectful conservation result, is to understand the ideology involved in each ‘art piece’ created by Ferrari. © 2016, © The International Institute for Conservation of Historic and Artistic Works 2016.
Registro:
| Documento: | Artículo |
| Título: | Challenges in the conservation of the work of León Ferrari |
| Autor: | Baldomá, G.; Maier, M.S. |
| Filiación: | Fundación Augusto y León Ferrari, Arte y Acervo, Buenos Aires, Argentina UMYMFOR (CONICET-UBA), Buenos Aires, Argentina |
| Palabras clave: | Collage; Contemporary art; Degradation and conservation; León Ferrari; Paper; Plastics; Conservation; Paper; Plastics; Art installation; Collage; Contemporary art; Ferrari; Traditional techniques; Energy conservation |
| Año: | 2016 |
| Volumen: | 61 |
| Página de inicio: | 7 |
| Página de fin: | 11 |
| DOI: | http://dx.doi.org/10.1080/00393630.2016.1200838 |
| Título revista: | Studies in Conservation |
| Título revista abreviado: | Stud Conserv |
| ISSN: | 00393630 |
| CODEN: | SCONA |
| Registro: | https://bibliotecadigital.exactas.uba.ar/collection/paper/document/paper_00393630_v61_n_p7_Baldoma |
Referencias:
- Derrick, M.R., Stulik, D., Landry, J.M., (1999) Infrared Spectroscopy in Conservation Science, , Los Angeles: Getty Conservation Institute
- Giunta, A., El Poder De Las Imágenes. León Ferrari y Los Públicos Del Arte (2011) León Ferrari, pp. 21-32. , Zamorano Ferrari J., Zamorano Ferrari P., (eds), 2011, Bogotá: Museo de Arte Banco de la República
- Learner, T.J.S., (2005) Analysis of Modern Paints, , Los Angeles: Getty Conservation Institute
- Madariaga, J.M., Analytical Chemistry in the Field of Cultural Heritage (2015) Analytical Methods, 7, pp. 4848-4876
- van Oosten, T., (2011) PUR Facts. Conservation of Polyurethane Foam in Art and Design, , Amsterdam: Amsterdam University Press
- Zamorano Ferrari, J., Zamorano Ferrari, P., (2011) León Ferrari, , Bogotá: Museo de Arte Banco de la República
Citas:
---------- APA ----------
Baldomá, G. & Maier, M.S. (2016) . Challenges in the conservation of the work of León Ferrari. Studies in Conservation, 61, 7-11.http://dx.doi.org/10.1080/00393630.2016.1200838
---------- CHICAGO ----------
Baldomá, G., Maier, M.S. "Challenges in the conservation of the work of León Ferrari" . Studies in Conservation 61 (2016) : 7-11.http://dx.doi.org/10.1080/00393630.2016.1200838
---------- MLA ----------
Baldomá, G., Maier, M.S. "Challenges in the conservation of the work of León Ferrari" . Studies in Conservation, vol. 61, 2016, pp. 7-11.http://dx.doi.org/10.1080/00393630.2016.1200838
---------- VANCOUVER ----------
Baldomá, G., Maier, M.S. Challenges in the conservation of the work of León Ferrari. Stud Conserv. 2016;61:7-11.http://dx.doi.org/10.1080/00393630.2016.1200838
